Marketing miscues that catapulted French-Senegalese director Maïmouna Doucouré‘s debut film “Cuties” into the stratosphere of controversy have been a benefit and a curse for the startling film about the sexual vulnerability of pre-adolescent immigrant girls in Western society.Originally positioned as a French hip-hop “Billy Elliot,” the notoriety — trolls, death threats and calls for a child pornography congressional inquiry — has translated into widespread, if backhanded …